
SAN FRANCISCO (AP) — In China, Xiangqi Chen risks punishment for her LGBTQ+ activism. But thousands of miles away in San Francisco’s Chinatown — the oldest in the United States — she has found both freedom and recognition as the founder of the first Chinese queer art museum in the world.
The contrast between her two worlds is something Chen fully recognizes.
“Here in San Francisco Chinatown, I still continued my journey and met so many like-minded community members and friends,” Chen said through an interpreter in an interview with The Associated Press. “It kind of actually encouraged me and gave me lots of strength to do what I know is my mission, my calling.”
The OUT Museum made its debut with a rainbow-ribbon cutting ceremony at the end of May, timed to fall between Asian American Pacific Islander Heritage Month and Pride Month. Located directly across from the Chinese Historical Society of America Museum, the bilingual institution aims to bring visibility to a group that has historically been overlooked. Its arrival comes at a time when LGBTQ+ rights face growing restrictions at the local, state, and federal levels across the country.
For now, the museum operates only on Saturdays and consists of a single room displaying fewer than a dozen works by artists from China and the broader Chinese diaspora. Still, organizers hope to expand both the number of exhibits and the days the museum is open to visitors.
Chen’s vision for the museum dates back six years, when she was still living in China and launched a Kickstarter campaign for the concept — drawing donations from more than 2,000 people. She always understood, however, that building it in China was unlikely. In 2022, she came to the United States on a J-1 visa as a visiting scholar at Georgetown University. By 2024, her involvement in an exhibition at the Asian Art Museum in San Francisco brought her wider attention, which led to a residency with the Chinese Culture Center of San Francisco.
The organization’s executive director, Jenny Leung, said in an email that the group was “proud to be the incubating space for the OUT Museum prototype.”
The outpouring of community support that followed left Chen genuinely surprised.
“I got so many chances to connect with the local Asian American queer community and even the Chinatown community in general,” she said.
Word spread to longtime collaborators and younger artists who reached out through Instagram. Their work is featured in the museum’s opening exhibition, which includes photography, zines, and an interactive installation that invites visitors to use thread to map their personal journey of self-discovery related to gender and sexuality.
For Dixon Ngai, an artist born in Hong Kong, the museum fills a gap that mainstream media has long left open by largely ignoring the Chinese LGBTQ+ community. His contribution to the exhibition is a hand-painted Chinese porcelain wine pot inspired by the Cantonese opera “Di Nü Hua,” also known as “The Flower Princess.”
Ngai noted that the OUT Museum stands apart from other exhibitions because it speaks directly to the experience of the Chinese queer community, allowing “more people to see our voice.”
Since the museum opened, Chen said she has been “one hundred percent moved” by an unexpected group of visitors: Chinese immigrants — both queer and straight — who have lived in California for decades.
One visitor, a 60-year-old transgender man, shared how he came to the United States in the 1970s specifically to access gender-affirming care. Another visitor was a mother hoping to rebuild her relationship with her gay adult son.
“She later emailed me saying that she’s so grateful for all the events the art museum has organized,” Chen said. “Her son came out to her, and she’s very proud of her son and she wants to express gratitude.”
Author and activist Helen Zia, who serves on the museum’s advisory board, said these responses confirm that the museum is successfully raising the visibility of Chinese, Chinese American, and Asian American LGBTQ+ people. She also pointed out how dramatically public attitudes have shifted, noting that an institution like this would have been nearly impossible to establish even two decades ago.
“There were Asian churches who would have demonstrations week after week with thousands of people just condemning same-sex couples,” Zia said, recalling a moment in 2008 when she distributed pro-gay marriage flyers in Oakland’s Chinatown. “We got people yelling at us, spitting.”
Later that same year, Zia and her wife were among the many couples who married after the California Supreme Court struck down a ban on same-sex marriage. Even now, she believes the museum’s existence carries an important message.
“See our humanity,” Zia said. “Here’s the beautiful art that we create and imagine and contribute to the world.”
Life for LGBTQ+ individuals in China remains largely hidden, shaped by discriminatory policies. Although the Chinese Psychiatric Association removed homosexuality from its list of mental disorders in 2001, same-sex couples still cannot legally marry or adopt, and their ability to publicly advocate for their rights remains severely limited. When Chen was living in Shanghai, she ran a grassroots center for lesbians. One of the factors that pushed her to leave was the government’s crackdown on LGBTQ+ spaces during the pandemic.
She likely would not have been able to mount an art show there, let alone establish a museum.
“From 2013 to 2015, that kind of art exhibition by queer artists (could) exist, but only if you don’t explicitly show or tell the audience that your work or yourself identify as queer or LGBTQ,” Chen said. “But not nowadays.”
Zia first encountered Chen about a decade ago through that very Shanghai center, while conducting research for a book.
“She’s been just incredibly brave in China, creating a center that attracted a lot of state attention,” Zia said.
One key difference Chen has observed between American-born Chinese LGBTQ+ individuals and those living in China is greater access to education about gender and sexual identity, as well as more robust support systems.
Meanwhile, LGBTQ+ rights face mounting pressure under the current federal administration. President Donald Trump’s administration has moved against gender-affirming care and sought to ban transgender individuals from military service. Some lawmakers have also proposed designating a “Nuclear Family Month.”
San Francisco itself recently navigated a cultural flashpoint when players for the Giants baseball team wrote Bible verses on their hats during a Pride Night event.
Despite these tensions, the Chinese artists behind the OUT Museum say the atmosphere in San Francisco feels liberating by comparison.
“Here in San Francisco, in California, we enjoy the air of freedom, there is equal human rights, there is security,” Ngai said. “So, we are very proud to be ourselves.”
This Sunday, Chen plans to march in her first San Francisco Pride Parade, promoting the museum while dressed as a woman warrior from a Cantonese opera.
“I think completing this opening will be a start for me. It’s not the end,” Chen said. “We still have a long way to go.”




















































































































































































